@article{oai:nagasaki-u.repo.nii.ac.jp:00026467,
 author = {大橋, 絵理},
 journal = {長崎大学言語教育研究センター論集, Journal of Center for Language Studies Nagasaki University},
 month = {Mar},
 note = {Since the period of ancient Greece and Rome, the spa water has been the object of faith as the miracle water given by the gods to heal the illness. Therefore, the spas are the special place where the people from many countries have gathered and the various cultures have been mixed. From the invention of motion pictures in the early 20th century, the image  of water has fascinated the film directors. Gilles Deleuze asserts that the film directors find the most delicate and broadest perception inherent in the water. In this paper, we compare and analyze the representations of the spas in Fellini's 8 1/2, Alain Resnais' Last  Year at Marienbad, and Tarkovsky's Nostalgia., 長崎大学言語教育研究センター論集, 9, pp.1-15; 2021},
 pages = {1--15},
 title = {映画における温泉保養地の表象},
 volume = {9},
 year = {2021}
}