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How to Employ Nagasaki: Kazuo Ishiguro’s A Pale View of Hills (1982)
http://hdl.handle.net/10069/00040470
http://hdl.handle.net/10069/00040470509f82fa-b609-4734-9b42-8b7247f53dbc
名前 / ファイル | ライセンス | アクション |
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IAFORJLL9_68.pdf (255.0 kB)
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Item type | 学術雑誌論文 / Journal Article(1) | |||||
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公開日 | 2021-01-22 | |||||
タイトル | ||||||
タイトル | How to Employ Nagasaki: Kazuo Ishiguro’s A Pale View of Hills (1982) | |||||
言語 | ||||||
言語 | eng | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | A Pale View of Hills | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Kazuo Ishiguro | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Nagasaki | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Narrative | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Reminiscence | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Testimony | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | journal article | |||||
著者 |
Akiyoshi, Suzuki
× Akiyoshi, Suzuki |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Not a few scholars believe that representation of scenery in Nagasaki is a mockery in Kazuo Ishiguro’s novel A Pale View of Hills (1982). However, Etsuko’s narration faithfully represents individual facts about Nagasaki, but her combinations of facts are not consistent with the real world. Overall, Ishiguro’s narrative strategy is to represent as realistically as possible how a person’s memory works; at a time when rigid opposition between history and fiction collapsed as a result of the expanding literary theory of postmodernist positivism. A somewhat distorted narrative of recollections holds true not only in Etsuko but in human beings generally. If everything in the record of one’s past life is fictional, realizing how one’s memory is distorted or colored is impossible. Thus, Ishiguro wrote Etsuko’s reminiscences by faithfully describing facts of Nagasaki, for instance, nonlinguistic artifacts and relics, but making them anachronistic or discordant in time and space. This strategy resists the postmodern view of history and simultaneously emphasizes human memories’ ambiguities and distortions. Nagasaki, as a faithful background setting for Etsuko’s memories, is entirely plausible because Ishiguro was born and raised there until he was six years old. Yet, the realism of A Pale View of Hills encompasses a universal story of reminiscence or human testimony by employing the narratives of an atomic-bomb victim and a war bride. | |||||
書誌情報 |
en : IAFOR Journal of Literature & Librarianship 巻 9, 号 2, p. 69-80, 発行日 2020-12-14 |
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出版者 | ||||||
出版者 | The International Academic Forum (IAFOR) | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 21870608 | |||||
DOI | ||||||
関連タイプ | isIdenticalTo | |||||
識別子タイプ | DOI | |||||
関連識別子 | 10.22492/ijl.9.2.04 | |||||
権利 | ||||||
権利情報 | © 2020, The International Academic Forum (IAFOR). | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
引用 | ||||||
内容記述タイプ | Other | |||||
内容記述 | IAFOR Journal of Literature and Librarianship, 9(2), pp.68-80; 2020 |